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Karenina: Hey! That was a very long and interesting story about grandmothers, but I'm not satisfied! What about my other questions!!!? Ina: Hmpf... How desperate, I haven't finished counting yet, honey. [Drawing 1] Ina lies expectantly as she lies in her reclining spinning chair, looking out the window as the rain falls on a stormy autumn midnight in a gaudy September 2020. Maybe Ina should sleep, but she's had another sleepless streak of days trying to solve some very complex math problems. She works in a secret subway base subsidized by the government thanks to her double doctorate as a pharmacobiological chemist and quantum physicist. Even lately she doesn't talk much to her husband Markuz or her daughter Karenina. Sometimes Ina feels that she must stop and feels an enormous tiredness, but from one moment to the next she feels that she is about to find the answer to her scientific and existential doubts and her heart races faster than ever. On the other hand, to Ina's misfortune, the secret government organization she works for requires a lot of her attention during the day for a project with a hadron collider that is not so much of her interest as for anything else in particular, so instead of sleeping at night, she writes non-stop for her existential interests and solves quantum physics problems that would give her a Nobel Prize if she were to publish them someday, even though it is not in her interest to publish them. Ina, an unhinged scientist, with a weak health and a great bitterness to see the way the world works and how human ambition destroys entire countries and people in particular, especially to see the reality of things after meeting that powerful sect that pulls the strings in the government, that self-named as The Ones Beyond, has sought the solution to the problems of humanity born from their lowest animal instincts. She believes that the most animalistic aspects of human beings drive them to be so absurdly ambitious and self-destructive, so she believes that human beings must evolve, Ina believes that human beings must transcend their clumsy instincts and become something better. One day Ina, while smoking, Ina sees her favorite doll, a porcelain doll with a beautiful red and black dress that her maternal grandmother gave her when she died in a fire as an inheritance, Laia Izumi, curiously shortly after her mother, Nozomi Izumi, disappeared. Ina never got along well with Nozomi, much less when she separated her from Markuz, her twin brother and husband to take her to Japan for disapproving that relationship, so Ina, who was already of age when Nozomi disappeared, did not take much attention after her mother's disappearance, she was always into political things so surely she must have messed with some powerful person in Japan and they would have chosen to make her disappear, or at least that is what Ina believes. On the other hand, Ina always got along well with her grandmother, and is very appreciative of that gift she gave her before she died. Interestingly, the doll is very much like herself, as well as her mother, grandmother and daughter. Ina wonders while stroking her doll's hair, wouldn't life be easier for everyone if humanity stopped fighting for power and money and were as gentle, cute and helpless as a doll? No need to move, and therefore no need to produce and plunder the earth's resources, thus avoiding the catastrophes of climate change... Although Ina is not particularly sympathetic to eco-anarchism, she believes that the end of human pollution, if everyone were to become dolls, is something accidental and collateral that would in fact be positive. This is an approach that Ina has been making for years, and she is currently pursuing utopia with her refined knowledge of physics and chemistry. If suddenly everyone were to shrink, and be turned into dolls by some possible physico-chemical means, which does not necessarily imply dying and ceasing to be conscious, but rather, that while they are dolls, they would be hypersensitive to touch while being cared for by a select minority of humanity who are their servants and who live to care for everyone as dolls, or by robots.... Let the dolls feel and become aroused to the touch and be immersed in an aphrodisiac effect saturated with pleasure, in a permanent ecstasy, while their minds wander between their new reality and an eternal but intermittent loop of sexual fantasies, with no bills to pay, no taxes, need for a house, a car or anything else that today is insufferable for most human beings to get. . Ina considers most of humanity and humanity itself as a race to be failed, decadent, but she herself considers that as dolls, they would be a more successful form of the species, finding the formula for happiness and, moreover, at the same time, a kind of immortality.… Yes, an immortality because the physical-chemical means that would serve to modify the state of the human being to that of a doll, think Ina that could change the physical properties of people: make their skin more flexible and resistant like rubber, plastic or some resin, make the human being stop needing to breathe or feed, to get his nutrients from something similar to metamorphosis, as their new skin, become more resistant, would also be able to get all the nutrients they needs from the light reflected on it, as the body already does with vitamin D, but in a more complex method. Meanwhile, almost all of the organs except the brain and heart would go into a kind of indefinite hibernation, and the heart as well as the brain would go into a low-resource consumption mode. Undoubtedly, for Ina, mankind becoming dolls would be the solution to all social, economic, etc. problems, and would also make humans immortal in their new harmless state, something that Ina is highly interested in since she herself suffers from serious heart problems and does not know how many more years she will be able to continue living, and even if it were not for that, she fears aging, she would like that if she grows old, it would be like her grandmother Laia, who in some inexplicable way has remained very well preserved despite having died at the age of 80. Could it be the Japanese genes? Ina asks herself. Still, Ina is hesitant to reach old age anyway. Not sleeping for so long is something that definitely doesn't help her, but Ina doesn't have much choice if she wants to eventually build her own earthly paradise. [Drawing 2] For the moment Ina has managed to synthesize the ingredients in a formula to create a fuchsia liquid (as Ina calls it, who has little imagination and tends to be somewhat simplistic when it comes to naming) with a consistency similar to blood... According to what Ina has considered, if the calculations are correct, the liquid should enter the person's organism by means of a slow transfusion until 50% is reached, while 50% of the person's own blood is taken out. Once this is done, the liquid is enough to begin to dilute with the blood and transform the rest of the remaining blood into more fuchsia liquid. Ultimately, the fuchsia liquid in its molecular consistency is very similar to blood so that the blood recognizes the liquid as more blood in a transfusion and begins to change the properties and consistency of the human body causing the body of the test subject in question to eventually mutate. However, the problem that Ina has not yet solved is how it will shrink people... Ina has thought that to change the size of a person to that of a tiny doll or anime figurine of ⅛ or 1/10 of its original size will take a lot of energy, the hadron collider is a solution. However, she can't bring her victims to the secret lab, which is certainly a problem in achieving her goals, but she heard that one of the fellows in the lab, Naya, managed to invent a device as powerful as a hadron collider, so she would just have to delve into its operation to make another device, perhaps something more like a ray gun, to create a shrink ray. On the other hand, Ina would like her project to evolve the human species to remain a secret, and, besides, Ina is anxious to test the fuchsia liquid she has made on someone to test its actual effects, so making a quick visit to Naya's house to get information about the invention she is rumored to be the inventor of only to have Naya mysteriously disappear sounds like a feasible solution. Without hesitation, once Ina has articulated a plan in her head, she leaves her house and takes her car to Naya's house, while Markuz watches from the window curious as to why Ina is leaving the house so late. Later, a restless Naya looks through the peephole of his door while a restless Ina waits behind the door that she has been knocking insistently until she wakes Naya up, jumping and shaking with despair. No doubt Ina, that woman, is a psychiatric case, Naya thinks, especially since it's not normal for your co-worker to come looking for you at your house at 3 a.m. and knock on the door insistently. However, since Naya considers Ina to be an unbalanced but harmless woman, at least judging by what little he knows about her at work, he lets her pass, since she should surely be getting cold out there. [Drawing 3] Ina, desperate, goes straight to the point and asks about those rumors that are said in the laboratory, about whether Naya had created a kind of device capable of producing and using dark energy as if it were a hadron collider to scale, to which Naya answers that, if it were really true, why would Naya talk about that invention to her (Ina)? If Naya and Ina don't usually get along very well and they even tend to rival in the laboratory, to which Ina responded by putting her finger on Naya's lips interrupting him... Ina talks to her about a great idea that they could do with that technology at their fingertips. Ina talks about shrinking, a molecular transformation in size change on the scale of a person, something that would need a lot of energy to work, like a hadron collider, or maybe that rumored invention of Naya's that he created. Naya, despite viewing any attempt to obtain information coming from anyone with suspicion, can't help but be curious about Ina's offer, so finally they both shook hands and agree to collaborate. After hours of intense work in Naya's basement, they finally managed to synthesize Naya's invention into a kind of ray gun, perhaps not very flashy, if not rather austere, but they managed to make it work and test it on a vase, managing to shrink the vase to a tiny size, even though it still needs to be test it on humans. All seemed to have gone well with that collaboration, at least for now, until the device and Ina disappeared from their sight in an oversight in which Naya was distracted. However, the location of Ina and her new shrink ray was not to be a surprise for long, as Naya quickly gets shot in the back with the ray. Naya suddenly feels a searing intense heat surrounding his entire body, as his vision distorts and he begins to hallucinate as things seem to increase in size from her perspective [Drawing 4] Suddenly, as Naya began to regain his vision and sanity after the hallucinations, he realized that he was naked in the palm of the hand of an Ina, who had a big, lascivious smile on her face. Laia, surprised and terrified by the reaction, tries to dissuade Ina to return him to normal. Naya believes that Ina may need him alive otherwise she would not be able to repair the shrink ray in case it failed or broke down. However, Ina deliberately ignored Naya's pleas as she believes that all the documentation Naya has in the basement on how the beam works will suffice. And, well, also, Ina doesn't have the slightest intention of taking pity on Naya, despite being coworkers for so long. In fact, It didn’t take long for Ina to dress him in a little nurse outfit... It seems that Ina intends to use Naya as a figurine, but Naya asks Ina, why a nurse figurine? Wasn't there something more suited to his sex? To which Ina replies that it won't matter anytime soon. Ina couldn't believe what she found while rummaging through Naya's inventions in his basement when Naya was knocked unconscious after being shrunk: a strange pink liquid, similar to her fuchsia liquid, but next to a folder full of scientific documentation and an instruction. He had just patented a liquid to turn men into women…. Something that Naya seems to have thought of selling, as a patent, to medical companies that were dedicated to sex change operations. Ina then smiles mischievously and mockingly realizing that Naya will not be able to enjoy her millions from the sale of the patent and some royalties, but also, Ina wonders, why has Naya been so hypocritical in creating that substance and not try it yourself? Which makes Ina think that Naya is not as passionate about his creations as she is. For this reason, Ina decides to give Naya's life a bit of coherence by making him test the effects of his own substance, injecting it into his arm carefully so as not to kill Naya, since it could hurt him if she puts so much pink liquid into Naya from behind its tiny size [Drawing 5] Suddenly, quickly, Naya's pecs turn into breasts... His hips widen and her hair grows until it becomes very long, down to her hips. Naya, confused, feels how her body is filled with pleasure simultaneously as her body is detailed in a more and more feminine way, while his face blushes and covers her face with his hands full of embarrassment. However, even if Naya feels like it's all over, for Ina it's just beginning and after just playing with Naya and her new breasts for a bit, she decides to move on to the next step. [Drawing 6] Ina then mercilessly injects that fuchsia liquid into Naya's neck, seeing how it quickly takes effect. Suddenly Naya finds herself in a more rigid position, her skin glowing and reflecting the light and with a lost gaze into infinity sunk in pleasure. "Do svidaniya, sweetheart!" said Ina as it seems that Ina's invention has been a success. Finally, nothing remains of Naya but her blank mind plunged into more and more pleasure, exponentially more and more as her consciousness is lost in an endless cycle of erotic fantasies, and even fantasies within fantasies. Moments later Ina settles Naya on the pedestal in the center of her room where the vase was, to start Naya's new and solitary life gracing her own home. [Drawing 7] The next day, sleepless, Ina walks around the lab with her haggard eyes and unhinged gaze. She walks to her office, with the shrink ray hidden in her bag, having a lucid dream thinking about all she will do with that ray and that fuchsia liquid she has invented. Ina believed that she was finally going to be able to create her earthly paradise with a little cunning and acting at the right time, even though because she was sunk in her lucid dreams she could not prevent herself from suffering an accident by walking without paying attention at work. Suddenly, before she could avoid it, an explosion and a laughable sound is heard in the hadron collider that was right next to Ina. Ina is blinded by an intense light that sucks her into an infinite white abyss as she feels something go through her head, and after that everything becomes so dark and cold around her.... Hours later Ina was in a comatose state in the hospital, it seems that an accident in a hadron collider had caused a beam of light to escape from it and go through her skull. Nothing like this has ever happened before, so no one knows how to act in such a situation. Now Ina is in a deep coma while being cared for by her husband, although no one knows if she will ever wake up. [Drawing 8]

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